Dreamland, by Nancy Bilyeau

“Everything is real on Coney Island – and nothing is real.”

Peggy Battenberg is requested to stay with her family on Coney Island. She reluctantly accepts. Peggy feels trapped within her family, their name, their riches, and she wants to shape her own identity. Shortly after arriving to the Oriental Hotel on Coney Island, prejudices are unearthed and a prevalent divide of social classes greet her while making her way to Dreamland. But, women begin to show up dead. Who can she trust and why is she being followed?

“On Coney Island, you can always find someone to do anything.”

Restrictions on women and the treatment of foreigners are spotlighted throughout the story. It focuses on the social structure and the formation of society on Coney Island during 1911 more so than the police procedural. The lush atmosphere was a character in itself and played a dominant role in the movement of the story.

Technical Stuff:
It starts with a woman being murdered in the Epilogue, but the murder is not revisited until the main character, Peggy, begins her extended stay at Coney Island which is sometime during chapter 5. (There are a total of 37 chapters.) However, the story deviates from the murder mystery for quite sometime after this chapter and instead focuses on the main character’s struggle for independence within her rich family, and her new found romantic interest. Because of this, the murder mystery fell to a quiet whisper until chapter 28 (or 78% into the story on a Kindle) when Peggy decides to look for the killer who has been murdering women on the island. That only leaves an eventful 22% left for the reader. I was wanting more suspense throughout the entirety.

The novel was very well researched. Click around below to learn more about Dreamland.

The Oriental Hotel, a Coney Island luxury hotel in the 1890’s. Peggy’s family stays at the Oriental Hotel in the novel.
Hellgate, a boat ride at Dreamland before it burned down. The are several scenes that include Hellgate in the novel.

Visit Nancy Bilyeau’s website to get more information about her books.

Thank you to Hannah Groves from Endeavor Media for providing me with an advance copy. Opinions are my own.

The Girls with No Names, by Serena Burdick

1910-1913, New York: A world where men hold the upper hand. Values are changing with the turn of the century. Women are still fighting for their rights. A young female can be sent away or imprisoned for nearly any act of defilement or unbecoming behavior.

Told from three different viewpoints, the story begins through the eyes of Effie, a twelve-year-old growing up in a wealthy household but constrained to a strict set of principles and rules. Longing to hold on to their Victorian values, her family pushes her older sister Luella away. Attached to Luella, Effie finds herself in the House of Mercy after searching for her sister. Luella and Effie’s mother, Jeanne, struggles to maintain her composure while her family begins to crumble. Her social status and reputation in society as a lady cause conflict in her priorities as she seeks to mend her family. Mable befriends Effie in the House of Mercy, but can they trust each other? Mable recalls her past in flashbacks which reveal a pattern of betrayal and deceit.

“There are girls who get put away for more, if they’re not reformed”
“Or repentant”
“It’s like prison. You get put away for however long fits the crime. There are girls who’ve been in there for ten years, twenty. Some never get out, but I heard three years was the minimum.”
“That can’t be true.”
“I’m just telling you what I heard”

3.5 out of 5 stars explained: The setting was great, and I found it suitable and well-researched. The start was slow to build, and the story doesn’t begin to climb until 25% (on a Kindle). I highly enjoyed Mable’s chapters. I found her voice and story to be more fitting to the description of the book. Mable was intriguing and enlightening to the era. The other two POV’s, Effie and Jeanne’s, were not as exciting for the reader and sometimes caused the plot progression to be slower. The actual scenes within the confines of the House of Mercy are limited, and I would say are only detailed in about 12-16% of the entire story itself. You will not learn too much about The House of Mercy from reading this novel.
Most of the story focuses on the family dynamics and some gender conflict. I would have liked to have seen more history apart from the setting and a very small appearance from Inez Milholland. The ending was predictable. The very end, the epilogue, was cheesy and cliché for my taste. It’s not a story that I continued to think about it after reading. Overall, I liked it and found it to be an average read that was engaging during various times and moderate at other times. For the above mentioned reasons, I rounded down to 3 stars. Thanks to Edelweiss and HarperCollins for this copy. Opinions are my own.

A great article about this topic:
House of Mercy

1932, House of Mercy:

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