The Girls with No Names, by Serena Burdick

1910-1913, New York: A world where men hold the upper hand. Values are changing with the turn of the century. Women are still fighting for their rights. A young female can be sent away or imprisoned for nearly any act of defilement or unbecoming behavior.

Told from three different viewpoints, the story begins through the eyes of Effie, a twelve-year-old growing up in a wealthy household but constrained to a strict set of principles and rules. Longing to hold on to their Victorian values, her family pushes her older sister Luella away. Attached to Luella, Effie finds herself in the House of Mercy after searching for her sister. Luella and Effie’s mother, Jeanne, struggles to maintain her composure while her family begins to crumble. Her social status and reputation in society as a lady cause conflict in her priorities as she seeks to mend her family. Mable befriends Effie in the House of Mercy, but can they trust each other? Mable recalls her past in flashbacks which reveal a pattern of betrayal and deceit.

“There are girls who get put away for more, if they’re not reformed”
“Or repentant”
“It’s like prison. You get put away for however long fits the crime. There are girls who’ve been in there for ten years, twenty. Some never get out, but I heard three years was the minimum.”
“That can’t be true.”
“I’m just telling you what I heard”

3.5 out of 5 stars explained: The setting was great, and I found it suitable and well-researched. The start was slow to build, and the story doesn’t begin to climb until 25% (on a Kindle). I highly enjoyed Mable’s chapters. I found her voice and story to be more fitting to the description of the book. Mable was intriguing and enlightening to the era. The other two POV’s, Effie and Jeanne’s, were not as exciting for the reader and sometimes caused the plot progression to be slower. The actual scenes within the confines of the House of Mercy are limited, and I would say are only detailed in about 12-16% of the entire story itself. You will not learn too much about The House of Mercy from reading this novel.
Most of the story focuses on the family dynamics and some gender conflict. I would have liked to have seen more history apart from the setting and a very small appearance from Inez Milholland. The ending was predictable. The very end, the epilogue, was cheesy and cliché for my taste. It’s not a story that I continued to think about it after reading. Overall, I liked it and found it to be an average read that was engaging during various times and moderate at other times. For the above mentioned reasons, I rounded down to 3 stars. Thanks to Edelweiss and HarperCollins for this copy. Opinions are my own.

A great article about this topic:
House of Mercy

1932, House of Mercy:

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The Bookseller of Kabul, by Asne Seierstad

The story starts out with the chapter “The Proposal” in which Sultan Khan, the bookseller, feels that he is ready for a new wife although he already has one. And while Afghan customs permit more than one wife, some of his family are against his decision. The author concentrates on Sultans decision and the effects it has on his family. The reader is taken inside the head of the first wife, Sharifa, and his new young bride. Through their voices, we see a glimpse of the caste system. 

“A wedding is like a small death.” 

While emphasizing Afghanistan customs through the tangled emotions that the family experiences because of Sultans marriage decision, its culture is revealed through the occurrences in the bookshop. With Mansur Khan working in his father’s bookshop, the reader sees a colorful and vibrant city that sometimes weeps for its people. He sees the effects of war surrounding them and craves a different reality. 

Though not nonfiction, I still found the information and story enticing. The author writes with a journalists touch and has an affinity for incorporating political thought through the dialogue. The Foreword at the beginning of this book explains how the author ended up living with the Khan family in Kabul. It is a must read before beginning the story since the story is based on real events and people, although considered a work of fiction. 

Being only 288 pages, it is a short read for those pressed with time.

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The German House, by Annette Hess

Eva is navigating life as young adult while trying to balance newfound independence. Accepting a new job translating at a trial, she is torn between her career and her boyfriend, Jurgen, who wants her to be a stay at home wife. Eva then learns that her own family does not agree with her involvement as a translator in the trial either. Translating for the Polish victims of the Holocaust, Eva is met with stories of horror and bravery. But as the trial progresses, she can’t help but feel there are secrets her family is hiding. 

This is a book that grows on you as you read. Having said that, it took time to get to know the characters. They felt out of reach at first, and it was hard to get to know them for almost the entire first half of the book. The beginning was slow to start, and it wasn’t until around 40-50% of the book that I felt like I was getting into it. This was primarily because the plot was slow to develop, and the characters were distant. It takes a while to get used to the writing style as there are no chapters and it skips around a lot. 

The story presents a lot of tough questions to the reader. It tests the waters of human nature speculating the condemnation of one alone for the killing of millions. 
I would have liked to have heard from other characters perspectives more. Specifically, Walther Schoomann, Sissi, and David Miller. In the end, I felt left with unanswered questions about some of the characters.

The courtroom drama and the trial were my favorite part. Halfway through, I could not put the book down. The last few pages of “Part 3” were very powerful and moving. Many thanks to Edelweiss and HarperVia for this advanced copy in exchange for my honest review.

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