In this novel, the main character, Effie, reaches to answer the questions- Can science prove the spiritual and emotion? Does emptiness feel better than pain? Is it better to be alone during life or alone after life?
The beginning of the story is slow to start, and required many recesses on my part in order to proceed. It was difficult to tell where the direction of the story was going at first. It seemed like one activity jumped to something unrelated. But then around 40% of the novel I was able to attach myself.
The story is very dark, per the title itself, and centers around the motif of death. While the story details Effie’s life as an undertaker’s assistant in New Orleans as a freedman during the Reconstruction Era, she constantly affiliates her experiences to death itself not only in her thoughts, but shares these thoughts with those around her. The writing style carries dark comedy, which I found enticing and humorous. At times I found myself laughing out loud at Effie’s awkward social interactions.
This historical aspects were my favorite part. Effie is able to tell the story of the Reconstruction Era, in her own unique way as an embalmer, through the party scenes and political organizations. The sociology in Louisiana at this time are best reflected in her relationships which comprised of all shades, budgets, and walks of life. Most of the brutality and violence incorporated was researched on part by the author and is included in the epilogue.
I recommend reading this book on the Kindle since there is profuse use of anatomical words, historical 19th century vernacular, and French spoken in this novel.
Many thanks to NetGalley, Amanda Skenandore, and Kensington books for allowing me to read this advanced copy.